Quite simply, "Memory" from the show "Cats" by Andrew Lloyd Webber had become the most requested song of the 1980s - to the apparent exclusion of all other songs except perhaps "New York, New York" for an occasional change of pace. This was the tune, the hymn, the anthem - the veritable song of songs. In my days as a lounge player, I received hundreds of such gracious ultimatums, loosely translated in lounge language as "requests." This, however, was no run-of-the-mill ultimatum. "Stop playing whatever that is and play 'Memory from Cats,' " said the lady in the blue hat.įrom a nearby table I watched the pain flicker across the bar pianist's face. Today Washington's foremost keyboard interpreter of jazz and Broadway standards weighs in with his opinion. Whatever his talent for theatricality, however, Lloyd Webber's music remains suspect to many of those schooled in more than disco tunes and easy listening. With the blockbuster opening of "Phantom of the Opera" in New York, Andrew Lloyd Webber is once again the toast of Broadway.
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